What appealed about Save Me?

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I was in the middle of filming the second series of Doctor Foster and I’d just had a baby, so I had no brain. I wanted to take a break but I read the script for Save Me and thought: this is really good. Lennie writes two characters speaking at the same time, which you see in theatre but not often in TV.

Were you looking for a show where you weren’t the lead?

I’ve done shows where I was the lead but maybe it wasn’t quite right – I took them because I wanted to move my career on. Now, it’s about really good parts, even if I’m only in two scenes, as long as I’m part of a great show. Before this, I spent a lot of time wishing for a really dark, gritty piece. You have to be careful what you wish for, because then you get it tenfold!

https://www.youtube.com/watch?v=pAAHU_UD43Y

Do you take the darkness home with you?

Never. When you get through the door and there’s a baby in the bath, work is work and home is home. I see my mates and bumble around, I know a lot of libraries and play parks in north London, and that’s more important to me.

Who is Claire?

She had a summer of love and a daughter with Nelly, then moved away from her working-class roots and met her husband. They built up a business together and have a really good life. She starts in this world then gets embedded in her past, this pub and this community [the like of which] you’ve never seen before. It isn’t a Shameless estate.

Do you recognise that community?

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Definitely. I worked in pubs when I was younger. My nickname was Morticia. My boss used to say: ‘you ought to smile more, you get more tips.’ There was the football lot, the guy with the dog who came in with his 1ps and 2ps… Characters I got to know very well.

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